Books

December 05, 2007

atonement

I know there's always a certain type of reader who will be compelled to ask, but what really happened?

How can a novelist achieve atonement when, with her absolute power of deciding outcomes, she is also God? There is no one, no entity or higher form that she can appeal to, or be reconciled with, or that can forgive her. There is nothing outside her. In her imagination she has set the limits and the terms.

No atonement for God, or novelists, even if they are atheists. It was always an impossible task, and that was precisely the point. The attempt was all.

-Ian McEwan, Atonement
(Oh, I believe I will love this movie - with its 5 minute-plus Stedicam shot, symbolic costume design, and typewritter-as-instrument in the score.)

December 01, 2007

i would so do this

The Books visit Disney World.
I don't know what I find more wonderful: that fact that she carried a library of ironic books from the canon around Disney World, or the way she talks about them as if they are real people.

November 15, 2007

travels

I grew up in a home with very little money and a slightly agoraphobic mother. Other than annual trips to visit my grandparents (St. Petersburg, (the drive from Tallahassee an endless stretch of flat Florida nothingness) and Portsmouth, Ohio, respectively), we did not travel. Ever.

I have only been in the states of Florida, Georgia, North and South Carolina, Tennessee, Kentucky, and Ohio. I have flown in an airplane a total of three times. One of those trips was a one-way ticket back from my grandfather's funeral. I don't think that one should even count.

When I was sixteen, a church flew our entire family to Chicago for a weekend so that my parents could lead a marriage enrichment retreat. As a result of that trip, I can claim to have seen the interior of a Helmsley hotel. I have seen snow outside of windows, but that is all I have seen of the windy city.

It makes me sad that I have never travelled. I feel like I have missed something along the way.

Now, I live just minutes from Hartsfield International Airport. At my favorite thrift store, I buy books that have not been read. It's easy to tell when a book has been discarded without being read. It feels different in your hands. To be honest, I prefer to read books like this - perhaps because the act of reading is inherently intimate. A book in the process of being read is carried into the restroom, taken to bed, packed in a purse or bag, and read over coffee. It sits in the front seat of the car, it goes along for the ride. In all these places that the book is taken out, there are moments when the reader slips silently inside of it. The mattress, and the pillow, the cat curled at their feet, the spouse sleeping beside them - all these things fade away. Although the reader may be physically present, they are elsewhere. And so, books that have been read carry an imprint of the reader that came before.

I become attached to the books I have read. For awhile, I checked out books to read. I found that, afterwards, I usually felt compelled to purchase a copy - not because I wanted to re-read the book later, but because it felt wrong not to have it. I buy double copies of books I like, so that I don't have to give the copy I read away.

Oftentimes, I purchase unread books at the thrift store, read halfway through, and then, find tucked between the pages an airline boarding pass. It shocks me back into the present as I realize that my book was once a plane ride book. It has been in the sky. It has gone places. My book was purchased to pass the time in unfamiliar lobbies, or as insurance for the ride to come: an invisible barrier to prop between the reader and the unknown stranger that might end up in the seat next to them. Some books were probably purchased with the ulterior motive that the title would be literary, or trendy, or obscure enough to attract the conversation of just the right sort of person.

I attributed the last motive to Dana-whose-last-name-starts-with-a-"B", and whom I have never met. I only know that she used an electronic ticket to take Delta flight DL1287 from New York City to Atlanta and left the boarding pass in the unread, hardback copy of Jonathan Safran Foer's novel, Everything Is Illuminated, that I purchased at Value Village for a dollar and fifty cents. She sat in seat 29F, and flew coach. She had three bags.

I found Dana's pass two-thirds of the way through the novel, and I was jealous. Normally, when I find tickets in books, they are simply a novelty. They are most frequently in books with movie tie-in photographs on the cover. It makes perfect sense to me that someone would choose those sorts of books for a plane ride. I do not question their choices.

This time, I was slightly angry. I disliked Dana B immediately.

Why would she have purchased a hardcover copy of Everything is Illuminated and then, when she arrived in Atlanta, discarded it? I imagined her sitting in LaGuardia, and reading the first few pages of the book, and deciding that she did not like it -judging it too strange, or difficult to read. I decided that she lacked imagination and intelligence. I pulled out her ticket again and again, and wondered why she choose this book to take along for her flight. As I read, I kept wondering. At what moment did she quietly slip her ticket between the pages, and close the book, and decide to get rid of it? It had to have happened early, because even the dust jacket of the book felt new.

As I carried her book that is now mine around, my jealousy of Dana-who-was-in-New-York-City-long-enough-to-need-three-bags stayed with me. I've never been to New York, but I would guess that it would be a perfect backdrop for reading Foer's book. I'd love to have been the one with a chance read it as I was travelled through the sky, to pause after a passage and look out the window, seeing nothing but blue or stars.

As I neared the end, I lost the book for a day. I looked to see if I had accidentaly concealed it when I made the bed, or if it had fallen by the headboard. I checked in the kitchen, and on top of the china cabinet. I finally found it wedged between the window and my favorite chair.

When I finished the book, I took Dana's ticket out from between the pages one last time. I was still a little jealous of the places she has been. The beautiful black and white book that had been hers, and now belonged to me, sat in my lap. With something like satisfaction, I thought to myself: "Well, she has never been here".

November 12, 2007

my quiz

i made a quiz.

because i am a geek.

(and just a warning, there are no happy Glass children)

.....waving to stephanie......(i'm still zooey)

October 28, 2007

confessions

1. I once bought a desk just because it reminded me of the desk that I imagined that a character that I loved might have owned. I sometimes put my hand on the surface of the desk when I walk by and whisper "hello" to him. This makes me smile.

2. I read the ends of books first but if I really love a book - I will leave two pages towards the end unread so that I don't ever have to finish reading it.

feet books

When I worked at Barnes and Noble, I came up with a rule for myself. My rule is simple; I refuse to read a book with feet on the cover. My aversion to books with feet on them started with the novel The Scandalous Summer of Sissy LaBlanc, which features a pair of feet with red toenails propped on the rim of a bathtub. I am not sure exactly what this book is about, but I would bet that it tells a very heartwarming story about a Southern gal with guts and an eccentric friend or sister or mother who finds both her authentic self and true love when she begins playing her beloved dulcimer in public, or takes up watercolor painting, or reads a pack of old letters (found in the attic of her childhood home), or looks through a scrapbook that belongs to someone who is either dead or in the process of dying.

After this book was published (and became a huge hit), lots of books began copying the “feet on the cover” look. Evidently, some marketing whiz decided that women must really love to buy books that feature cover art of a pair of feet that have just received a pedicure from the local strip-mall nail salon. There is, I suppose, something about that image that we (as women) are supposed to gravitate towards. It is as if we will look at that cover and realize that this book is about a woman just like us. A woman who gets her toenails painted a cute shade of persimmon at the Asian nail salon and has spunk and sass. A woman who is just - well - misunderstood. A woman whose problems would all disappear if she just move or return home to some idyllic small town where she could find a way to indulge her inner creative genius and who would then find out that her long-lost first love had actually been pining away for her all these years and had built a gazebo or a summer house or a sailboat from scratch - just for her and just in anticipation of the day when he would be able to take her to that gazebo or boat and tenderly make love to her (with a gentle breeze blowing) and afterwards (as they sipped hot chocolate from a thermos that he had packed) he would pledge to her his eternal fidelity.

The proliferation of these books bothers me. Somehow, they have managed to transcend the “romance” genre and they get packaged in nice trade paperback editions - with a 14.00 price tag and a non-Fabio photograph of feet on the cover. These books are categorized as “literature”, and they are shelved right next to Faulkner. I am not too much of a literary snob. I have been known to read a trashy novel or two. Trashy novels have their place. What really bothers me is that these “feet” novels are masquerading as semiserious literary offerings. As the public develops an appetite for them, these novels get published and marketed and displayed (and thus purchased and read) at the expense of artistic and thoughtful literature. “Feet books” are the equivalent of reality tv. A few reality shows are an enjoyable alternative, but once the market is glutted with them, people begin to lose access to quality, scripted television.

When I worked at the bookstore, we put up a corporate-mandated display table for women’s history month. The table had a big sign that read “Women’s Literature”. The table was full of “feet books”. I complained to one of my supervisors about the lack of actual literature on the table, but was told that the display titles had been included in our corporate bible (a.k.a. “The Daily Planner”). Still, when no one was looking, I would surreptitiously replace large stacks of titles like Confessions of A Shopoholic, Good In Bed, and Thoughts While Having Sex with stacks of novels by Toni Morrison, Edith Wharton and Margaret Atwood. Vive Le Resistance!